Look At This!

 

Picturing Science

Click on image for an amazing slideshow of scien­tific imagery courtesy of the American Museum of Natural History

Ted’s Drawing Room

Wonderful to see increasing interest in fashion drawing; some of the featured artists’ work follow. Click on names for links to portfolios.

Emma Löfström

Miss Led

Niki Pilk­ington

Outerwear

Baby Elephant and Keepers

Photo­graph by Michael Nichols, National Geographic

This Month in Photo of the Day: National Geographic Magazine Features

Dedi­cated keepers at the David Sheldrick Wildlife Trust’s Nairobi Elephant Nursery in Kenya protect baby Shukuru from the cold and rain, and the risk of pneu­monia, with a custom-​made raincoat.

Fantastic Zoology by Fran­cisco Toledo

While on the topic of beasties, Toledo/​Borges Fantastic Zoology bears a second look. My first encounter was in 2010 at the Instituto Cervantes in NYC on the recom­men­dation of my dear friend Savina Moynova. From the Instituto Cervantes website:

“This show is the result from combining the extra­or­dinary creations produced by two prominent 20th century artists: Jorge Luis Borges and Fran­cisco Toledo​.In 1983 Oaxacan artist Fran­cisco Toledo tried his hand at illus­trating the Handbook of Fantastic Zoology by Jorge Luis Borges 1953, commis­sioned by Fondo de Cultura Económica de México. Bestiaries, which were extremely popular during the Middle Ages, date back to Aris­totle and clas­sical Greece. In this manuel, Borges and Guerrero put together a collection of beings from a whole range of eras and literary tradi­tions, and also attempt to create beasts based on suppo­si­tions of crea­tures taht writers like Kafka, Lewis and Poe might have imagined or conjured up. These beings were recrated by fantastic Oaxacan artist Fran­cisco Toledo, who had formerly rendered beings inspired by the tradition of his homeland: chapu­lines (grasshoppers), iguanas, lizards, turtles, monkeys. Toledo embraced the complex venture of depicting and coloring the beasts envisaged and created by Borges and Guerrero to produce the magnif­icent series of drawings and water­colors that structure this show.”

According to Borges (respon­sible for text), only a fool would insist on the non-​existence of dragons!

For a fabulous animation by Fran­cisco Toledo — La serpiente cabalista — please click image below

Biomimicry

Evidence of Biomimicry as a design strategy (a hot topic in all of my classes for the past year) is very much apparent in Riccardo Tisci’s latest couture collection for Givenchy.

Peter Doh was inspired by Leiolepis Ngovantrii, a self-​cloning lizard recently discovered in Vietnam. Because this lizard has the power to reproduce on its own, the offspring are exact replicas of the parent and the species is entirely female –an apt inspi­ration for revis­iting the power suit.

Sidney Halela drew inspir­tation from her lifelong fetish with rhinos.

More beasties to follow shortly…

Intimate

Exquisite trade show visual via Shanghai Mode Lingerie:

Pricked

I seem to have my head on back­wards these days, referring to exhi­bi­tions that have long since come and gone. But the Embroidery show at the Museum of Art and Design bears revis­iting as a wonderful example of the use of narrative in art. My copy of the catalog for this show seems to have gone missing and despite my commitment to the iPad, this is one book IRL that I intend to replace.

Wall­paper

Kudos AGAIN to Prada for commis­sioning fashion illus­trators Ivo Besignano, Andrea Tarella and Marcela Gutierrez to create super­sized water­color portraits. Gutierrez, whose work has been used for every­thing from surface design to reportage to stage design, repo­si­tions fashion illus­tration as instal­lation art. Her paintings remind me of the type of book covers once used for pulp fiction. This fusion of fashion and art also reminded me of the Marc Jacobs’ adver­tising campaign that incor­po­rated the work of Eliz­abeth Peyton. Impres­sions derived from photographs are surely in the mix…a rich topic to be explored shortly.

Prada Yo Video Handsome Mask

To enhance the narrative behind their YoYo bag, Prada spon­sored the Yo Video series where eight young film­makers were chal­lenged to create their own back story for the bag.

A marvelous animation by Spike Jonze via Nowness

Bayo­netta new fashion icon:

3440794828

No this is not Sarah Palin on Mars (would that she were!)

I like to remind my students that there is an alter­native to the emaciated mannikin for fashion. Moreover, comics, manga, animé and video games are a huge influence on all visual culture. Apart from the violence (although I must admit her weaponry is beau­ti­fully designed) I am quite enamored with Sega’s action hero Bayonetta.

Craig Redman: Pop Portraits

via Nowness

The Darcel Artist Unveils His Day-​Glo Cari­ca­tures of Fashion Icons

Australian graphic artist Craig Redman’s pop art-​inspired portraits of leading Italian fashion figures offer a psyche­delic take on the front rows of Milan Fashion Week. Taken from his upcoming solo show, Protagonist, at Milan’s Slam Jam Store, the works feature cele­brated designers such as Riccardo Tisci and Miuccia Prada alongside iconic person­al­ities including Valentino and Anna Piaggi. Better known for his egg-​shaped alter-​ego Darcel, the New York-​based Redman collaged elements from a variety of images into cubist portraits of his subjects before replacing their natural shapes with geometric forms. “People normally have a pretty visceral response,” he says. “I think there’s a hopeful optimism in the work and it’s not alien­ating, which some­times happens in the fashion world.” Juxta­posing Ben – Day dots with cross­hatching and a variety of bold, flat colors, Redman’s striking but approachable pieces imbue some of the fashion world’s most recog­nizable like­nesses with an unde­niable sense of fun. Click for Video: Craig Redman Pop Portraits Milan

Pattern Magic/​Paul Alexander Thornton

pat3

Picture 1 of 10

All images © 2011 Paul Alexander Thornton

Check out his process/​music

Inkling!

The Serve Racket Speed – artfully diagrammed and animated

ILLUSTRATIONS By CAROL FABRICATORE

click for video: The Serve: Racket Speed


Congrat­u­la­tions to all of the newlyweds in NY State! To commem­orate the occassion, a brief demo of rendering lace and some lovely appli­ca­tions for all…

VMagazine recently invited readers to submit illus­tra­tions of their new fashion columnist Lady Gaga. High­lights from the Drawn This Way contest follow.

Now that I have settled into the slower rhythms of the summer, I’ve had a chance to reflect on some stellar work done by my students in the academic year just completed. In review, it was apparent that the quality of the work — both in terms of concept and execution — was the best ever.

The explo­ration of new mate­rials and tech­nologies — also a hot topic this year— often begins in perfor­mance apparel, with a rapid and increasing crossover into fashion.

Sean Kim was keen on exploring “inter­action design” prin­ciples for fashion through the use of new tech­nologies such as quick response codes and heat sensitive fabrics. The depth of his research lead him to the sourcing of fabrics and presen­tation mate­rials that allowed both his illus­tra­tions and fabric swatches to literally change color and pattern at the touch of a hand.

Although the nature of a designer’s research can take many forms, first hand expe­rience is the ideal source of inspi­ration for a collection. Following is an exquisite collection by Jenny Choi inspired by the Mioux H’mong culture which she first encoun­tered on her visit to Vietnam last summer. When Jenny asked me how she might begin devel­opment of her thesis collection for the coming fall semester, I strongly suggested that she again go on vacation!

jennychoi004

Thanks to Piet Halber­stadt for turning me on to photog­rapher Fulvio Bonavia’s A Matter of Taste.

Once more it is really encour­aging to see illus­tration featured at still another high profile blog. Check out artist Tara Dougans illus­tra­tions of Antwerp Academy graduate collec­tions at nowness.

© 2011 Tara Dougans

Picture 1 of 4

Thanks to Andrew Yang for turning me on to Papier ala Mode. Belgian artist Isabelle de Borch­grave is a painter by training, but textile and costume are her muses. Working in collab­o­ration with leading costume histo­rians and young fashion designers, de Borch­grave crafts a world of splendor from the simplest rag paper. Painting and manip­u­lating the paper, she forms trompe l’oeil master­pieces of elab­orate dresses inspired by rich depic­tions in early European painting or by iconic costumes in museum collec­tions around the world. The Legion of Honor was the first American museum to dedicate an entire exhi­bition to her work. See the docu­mentary about the mounting of the exhi­bition at the Legion of Honor.

borchgrave2

borchgrave3

borchgrave7

It is really encour­aging to see Show­studio featuring illus­tration! A key source of inspi­ration behind Nick Knight and Nicola Formichetti’s editorial, illus­trator Mel Odom curates this exclusive gallery of his work.

If you don’t know about Herakut, you should…their work is featured in Fashion Drawing: Illus­tration Tech­niques for Fashion Designers on pp128, 138, 157 and 160.

Congrat­u­la­tions to former student Paula Cheng for winning the compe­tition held by The Metro­politan Museum of Art in conjunction with the exhi­bition Alexander McQueen: Savage Beauty. Paula’s statement and images follow:

My dress orig­i­nates from my personal obsession with knitting, and the formation of loops and structure. Unlike woven fabric, knitting mimics the growth of bacteria, where the inter­twining of yarns and joining of loops form fabrics, and the twisting of the loops forms three-​dimensional struc­tures. I began my research by exploring different types of tech­niques of knitting, manip­u­la­tions of fibers, as well as colors of yarn. As the patterns derive from organic shapes and lines like trees and branches, I had to go through many trials and errors to translate the amor­phous patterns of nature into knit samples. I was trying to elevate the surface of the flat fabrics by short rowing, tucking and manip­u­lating the knits with hand and machine knitting. So this project was really about my obsession of plying and mixing metallic hues, the pulling loops into loops to form fabric, texture, and ulti­mately structure. It was just as complex yet as simple as my own journey of what it is to create, to make, “to fashion.”

Back in April when I was in Paris to partic­ipate in a panel discussion at the IFFTI conference, I had the enormous good fortune to take in the Madame Grés Exhi­bition. What follows is truly pattern magic.

http://​www​.paris​musees​.com/​m​a​d​a​m​e​-​g​r​es/

Multi multi media: Il etait une fois — Benjamin Lacombe By BCWALL

Boy! a colorful stripey riff on Amer­icana with equal measures of Jerome Robbins and early R and B thrown in.

…amazing collab­o­ration and fabulous spin on tailored clothing:

Ever since Chanel’s “little black dress” street­style has been an ever­p­resent force in fashion. So it really is important to look up from that mobile device from time to time…and then use it to capture some­thing fabulous and ephemeral IRL (in the real world). Here guer­rilla grafitti art by the duo OsGemeos on location in NYC. Top: West 21st Street between 8th and 9th Avenues (seen enroute to the highline) and on Bowery and Houston in 2009. For more inspi­ra­tional grafitti art see Fashion Drawing: Illus­tration Tech­niques for Fashion Designers pp 128, 138, 157 and 160.

During the lengthy process of real­izing a 2D concept sketch as a 3D product, many changes often take place that affect garment scale and construction details. Here, Sun Mi Kim remained true to her vision in the completion of her Spring Preview. All images © 2011 Sun Mi Kim

Every year at this time there is a flurry of excitement surrounding the delivery of final projects. It can be extremely grat­i­fying to see the culmi­nation of a year’s work. While waiting on the final projects, I took a short pause to get an overview of student work delivered this year — much of it arriving after my book went to press. It will be a good long while before the 2nd Edition of Fashion Drawing, but you can get a glimpse of the future here now. Expect many addi­tional posts as the semester draws down and I free up.

The classroom expe­rience provides a wonderful oppor­tunity for the mutual exchange of ideas. My students often recommend or shed new light on all sorts of things. Several years back Julia Faye Blum, who now designs for Kiki de Mont­par­nasse (her thesis collection is featured on page 402), turned me on to Marina Bychkova’s Enchanted Dolls. These exquis­itely detailed and wildly imag­i­native dolls were recently part of a Show­studio instal­lation in London. To my mind the Enchanted Dolls are an example of how fashion illus­tration is increas­ingly moving towards 3D and animation. Check out the Enchanted Doll Fight video (be patient, the argument slowly heats up and is even­tually resolved).

While researching images for Fashion Drawing I came across a really inter­esting campaign for 55dsl by comic book artist Ashley Wood (respon­sible for Tank Girl of late). Orig­i­nating in 2005, the ‘Dark Tales, Only to Be Read at Home’ series is hardly late breaking news — but certainly worth a second look. Since the sixties, when the advancement of graphic repro­duction tech­nologies began to accel­erate, all forms of “orignal” art have grad­ually shifted from real world to increas­ingly virtual formats. Here, Ashley Wood manip­u­lates photo­graphic imagery with natu­ral­istic paint tools in PhotoShop. Two versions of the catalog were produced, with the deluxe limited edition of 500 signed by the artist and the rest available at 55dsl stores. Be warned, what follows is a bit nasty!

Check out SSION, an amazing blend of drawing, perfor­mance and madness.

http://​www​.youtube​.com/​w​a​t​c​h​?​v​=​l​W​_​t​X​g​G​r​V​u​0​/​w​a​t​c​h​?​v​=​l​W​_​t​X​g​G​r​Vu0